- About Ramapo
- Academics
- Admissions & Aid
- Student Life
- Alumni
- Arts & Community
- Quick Links
- Apply
- Visit
- Give
img:is([sizes=auto i],[sizes^="auto," i]){contain-intrinsic-size:3000px 1500px} /*# sourceURL=wp-img-auto-sizes-contain-inline-css */
Tue, Thur, Fri: 1-5 p.m.
Wed: 1-7 p.m.
The Kresge Foundation Gallery and the Andre Z. Pascal Gallery are in the Angelica and Russ Berrie Center for Performing and Visual Arts. The Kresge and Pascal Galleries are postmodern facilities designed by the firm of Hardy, Holtzman, and Pfeiffer. Since opening the building in 1999, the Galleries have hosted an intriguing contemporary exhibition schedule. Renowned artists shown in the gallery include Henry Darger, Felix Gonzalez-Torres, Lady Pink, Cindy Sherman, Kehinde Wiley, Yoko Ono, Luis Cruz Azaceta, Whitfield Lovell, Alighiero Boetti, Paul Cadmus, Trevor Paglen, Loretta Lux, Chris Verene, Ceal Floyer, Hector Hyppolite, Mona Hatoum, Robert Rauschenberg, Ming Fay, Ant Farm, Mel Edwards, Nalini Malani, Kara Walker, Sophie Calle, Sally Mann, Peter Schumann, Liza Lou, Allora & Calzadilla, Radcliffe Bailey, Catherine Opie, Cathy de Monchaux, Howard Finster, Duane Michaels, Sherrie Levine, Tony Oursler, Nancy Spero, Nairy Baghramian, Andy Warhol, David Wajnarowicz, Lalla Essaydi, Michael Snow, Lynda Benglis, Jimmie Durham, Louise Bourgeois, and听 Wangechi Mutu.
Angelica and Russ Berrie provided the lead gift in a campaign that raised funds from corporations and individuals, College employees and alumni, state and federal government, and private foundations. Toward the end of the campaign a challenge grant of $475,000 from the Kresge Foundation assisted the College in raising the balance required to complete the project. The Pascal Gallery was funded by Gregory Z. Bukstein, a beloved and generous benefactor of the College, in memory of his twin brother. Their book, Survival: The Story of Two Brothers, recounts the story of the Bukstein brothers’ early childhood in Poland, exile to Siberia, survival during the Holocaust, life as refugees and pioneers in the then newly-created state of Israel and their eventual emigration to the United States.

A small showing of paintings and drawings by the Haitian master, who was one of the most important woman Haitian artists of the 20th century.
Due to various unavoidable factors the quiet opening for听Relative to the Collection: Luce Turnier has been delayed until February 25th at 1 p.m. This showing will be on view in through April 10th, with a reception on Wednesday, March 25th at 5 PM.
Image: Luce Turnier, Untitled, 1980, drawing. From the collection of Axelle Liautaud.

A group exhibition of contemporary artists curated by Director of the Art Galleries Sydney Jenkins and feminist artist and curator Donna Kessinger.
Planned public programs include a lecture relating to goddesses history, a film screening and academic panel, exhibiting artists’ talks, performance art, and a punk feminist band concert.
From the classical to fashion history to myth to popular culture and political art, this exhibition will flex numerous ways to think about the meaning of听Goddesses.
Artists represented range from Dara Birnbaum, Nancy Spero, Mary Beth Edelson, and Carolee Schneemann to Myrlande Constant, Vanessa Beecroft, and Mariko Mori, among others.
Due to various unavoidable factors the quiet opening for听GODDESSES 3.0 has been delayed until February 25th at 1 p.m. This showing will be on view in through April 10th, with a reception on Wednesday, March 25th at 5 PM.
Dates of other GODDESSES 3.0 events to be announced soon!
View the information page for this exhibition here!
Image: Pat Lay, Altar Heads Series #4: Diviner, 2003, fired clay, steel, gold leaf.

Please join us in the Berrie Center Caf茅 at 11:30 for a special talk by Art Historian Maria Loh in which听she bridges renaissance imagery and notions of misogyny.
This event is held in conjunction with听GODDESSES 3.0, on view in the Kresge and Pascal Galleries February 25 – April 10. More information on GODDESSES 3.0听can be found here!
ABSTRACT
ABOUT THE SPEAKER
Maria H. Loh is Professor of Art History at the Institute for Advanced Study in Princeton.听Previously, she taught at CUNY Hunter College for six years and听at University College London for over a decade. She is听a contributor to听Art in America听and听the author of three books鈥Titian Remade. Repetition and the Transformation of Early Modern Italian Art听(2007);听Still Lives. Death, Desire, and the Portrait of the Old Master听(2015); and听Titian鈥檚 Touch. Art, Magic, & Philosophy听(2019). She has also written on: horror and听鈥渟pecial affect鈥 in early modern painting and sculpture;听rainbow imagery in Stuart England;听melancholia and the Renaissance in Ottocento Italy; remakes in Chinese cinema; repetition in Hitchcock鈥檚听Vertigo; seriality and Sherrie Levine; and the 鈥渙pen work鈥 of Jeff Wall. Her forthcoming book鈥Liquid Sky鈥攚ill be written for a general audience.听
Image: Maria Loh, courtesy of the Institute for Advanced Study.

As part of the听GODDESSES 3.0听exhibition, on view February 25 – April 10, the 缅北重口 Art Galleries are pleased to present a screening of Carolee Schneemann’s Ask the Goddess (1991).
Ask the Goddess is a provocative performance in which Schneemann interacts with the audience by responding to sexual and psychic dilemmas read from cards they have submitted. A continuous relay of projected slides comprises an iconography of Goddess symbols, taboo and sacred, including images of animal attributes. Schneemann reacts spontaneously to the questions; she channels cogent answers triggered by the unpredictable images and finds herself physically activated, turning into a howling wolf or crawling across the projection area, squealing like a pig. (Description via Electronic Arts Intermix).
Following the screening, there will be a panel discussion featuring , director of the Carolee Schneemann Foundation, and , co-curator of GODDESSES 3.0 and feminist video artist.
Location TBA
Image: Carolee Schneemann,听Ask the Goddess, 1991. Photo courtesy of the Carolee Schneemann Foundation.

Join us in the Kresge and Pascal Galleries on Wednesday, March 25th from 5 – 7 PM to explore and celebrate the GODDESSES 3.0 and Relative to the Collection: Luce Turnier exhibitions!
The evening will begin with time to view the galleries, followed by artist and curator talks at 6 PM.
View the GODDESSES 3.0 information page here!
Refreshments will be provided.
Image: Nancy听Spero,听A New Consciousness听(detail), print, 缅北重口 Collection, gift of the artist.

Feminist punk band the Dick Pinchers will be performing a set on the grounds by the Berrie Center as part of the robust programming around GODDESSES 3.0.听More info on this exhibition here.
The performance will take place in the late afternoon of April 10th, exact time to be announced soon!
ABOUT THE BAND:
The band Dick Pinchers is multi-media, multi-disciplinary artist Sierra Furtwangler (of Blood and Stomach Pills)‘s听brainchild. It all started through a Facebook post. Sierra posted that she wanted to have a girl band named Dick Pinchers, she tagged Laura V Ward of Octavia Cup Dance Theatre and the Glam Rock Cabaret, and Alison Babalon of Beautiful Bastards and Oblivion Grin, suggesting that they might be a good fit. Miraculously, the trio formed. The raucous Dinner Party-esque band has become a sanity oasis for all three. Themes careen and intersect with swamp witchery, hot flashes, maniacal misbehavior, and Goddess invocation. Alison鈥檚 virtuosic bass work anchors Sierra鈥檚 heavy-hitting drums and Laura鈥檚 minimalist guitar (or violin). Vocals range from primal screams to somewhat more melodic singing, often within the same song. This IS your grandmother鈥檚 punk rock band.
Via O+ Festival.
A group exhibition celebrating the achievements of graduating seniors. On view in the Kresge and Pascal Galleries.
Exact viewing hours for this exhibition to be announced.
Galleries closed for Spring Break (Week of March 16th)
Copyright ©2026 缅北重口 | Statements And Policies | Accessibility | Contact Webmaster.
Follow Arch Performances